Aquest article detalla l'activitat musical dins la família de Joan Maragall com a exemple representatiu de les pràctiques musicals domèstiques de la burgesia barcelonina en el pas del segle XIX al XX. Com no podia ser d'altra manera, el piano hi té un protagonisme destacat, omnipresent tant en l’àmbit privat com en la vida concertística de la ciutat. En el cas de Maragall, tanmateix, convé parar esment en el repertori freqüentat, perquè l'apropa a una poètica pròpia i excepcional. El material bàsic per a aquest estudi han estat les nombroses fonts primàries conservades, especialment la correspondència amb familiars i amics; els records de la filla gran dels Maragall, Helena; els mateixos textos del poeta i periodista, així com la premsa de l'època.
This article describes in detail the musical activities of Joan Maragall’s family, as a representative example of the domestic musical practices of the Barcelona bourgeoisie in the transitional period that extends from the late nineteenth century to the early twentieth century. As it could be expected, at that time the piano played a prominent role, both in the private sphere and in the concerts to be held in the city. Nevertheless, In the case of Maragall, it is important to pay close attention to the most used repertoire because it leads us to his own and exceptional aesthetic world. The basic material which this study has been based on has been the largenumber of preserved primary sources, in particular his correspondence with his family and friends; the memories of Helena,Maragall’s eldest daughter; the texts of the poet himself, as well as press articles of that time.
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