The article aims to analyse the notion of “Thing” in Heidegger’s 1936/37 essay The Origin of the Work of Art. Starting from the principal elements of Heidegger’s critical examination of the everyday and the traditional experience of things, it shows to what extent, in the above essay, Heidegger’s “own” answer to the question concerning the “Thing” represents a turning point along the path that leads from Being and Time (1927) to the remarkable conference The Thing (1949).
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