A fragmentary kylix in the J. Paul Getty Museum’s collection of Faliscan ceram-ics stands out. Its interior was decorated by overpainting. Two goats, male and female, standing on their hind legs occupy the central portion of the tondo of the kylix. A Faliscan inscription, iuḷ ⋅ iuinio, was overpainted on the left side of the tondo. The paleography, language, and interpretation of the onomastic phrase are discussed.
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