American Women Playwrights and Violence against Women

• Autores: Noelia Hernando Real, Bárbara Ozieblo Rajkowska
• Localización: Performing gender violence plays by contemporary American women dramatists / coord. por Bárbara Ozieblo Rajkowska, Noelia Hernando Real, 2012, ISBN 978-0-230-33995-8, págs. 27-38
• Idioma: inglés
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• Resumen

  • Women’s theater in the United States has a long, still insufficiently acknowledged history. It is a theater that has changed with the times, acquiring new political and theoretical biases, and so it does not lend itself to one-dimensional definitions: should all plays written by women be considered as feminist plays? If they are written for women? If they are about women’s problems and preoccupations—but written for a general audience, or even specifically for a male spectator? If, in more or less sensational fashion, they overturn patriarchal expectations of the well-made play? Many dramatists and critics have delineated their definitions. As far back as 1914, Florence Kiper wrote that a play written by a woman is readily recognized as such because a woman playwright “does not attempt to imitate the masculine viewpoint” and she “sees the feminine experience through feminine temperament” (928).