Resumen de Un insospettabile sodalizio tra il Bachiacca e il Maestro dei pannelli Campana
In the light of significant additions to the oeuvre of the so-called Master of Campana Panels, the author seeks to lend a clearer profile to this probably foreign anonymous painter and define his role in Florence during the early sixteenth century. The article presents a small panel of a "Crucifixion with mouners and Saints Zenobius and Reparata" (Florence, Archivio del Capitolio Metropolitano Fiorentino), commissioned by the renowned Cathedral Chapter but overlooked by scholars, as well as almost unknown two-sided painting now in the Musée de la Faïence et des Beaux Arts, Nevers, which bears representations of a "Triumph of Chastity" and a "Triumph of Time"; these images are by authors as the Campana Master and Francesco d'Ubertino Verdi, better known as Bachiacca.
