Resumen de Resuene la Esfera (1734): una cantata de José Blasco de Nebra en el Monasterio de San Clemente de Sevilla
The monastery of San Clemente of Seville treasures a rich diplomatic and documentary heritage that has been the subject of a detailed study and cataloging. However, until now, everything related to the music preserved in it had not known the same fate, being simply stacked without any kind of order. However, through this article we want to present part of an approach and research work on this legacy, as well as an approach to gender and its functionality within the theatricality of the counter-reformist liturgy. Likewise, this finding represents a contribution to the reconstruction of the sound context of the city at that time and to being able to contemplate the monastery as a true performative space in the Baroque.
