El espíritu es enteramente individual y activo, no una abstracción de la naturaleza humana, y absolutamente vivo, una conciencia cuya existencia consiste en "tenerse a sí misma por objeto" - pontifica Hegel. La vivencia real de lo utópico empieza a difuminar la tensión dialéctica entre lo interno y lo externo, obstructiva de la completa manifestación de la profundidad del espíritu que engloba ambas delimitaciones. La densidad sémica del objeto unida a su inmediatez sensible acaba por disolver la diferencia entre la representatividad del simbolo, indicativa de cierta exterioridad, y la subjetividad que la dota de contenido. A la superación en el culto de la diástasis entre "forma y contenido", fruto del régimen de representación, seguiría la supresión de la "forma de representación" (Vorstellung) en curso a la rigurosa unidad, suprema realización del espíritu como absoluto, sin anulación de las diferencias, antes bien, fundada en ellas. La representación es sustituida por el "pensamiento mismo", un moderno y elaborado giro (evolutivo) hacia la nóesis noéseos que puede pasar por el "alma nacida de sí".
Spirit is wholly individual and active, not an abstraction of human nature, and it is absolutely alive, a consciousness whose existence consists of "having itself as an object". Spirit, Hegel holds forth, devises a certain essential representation of itself, emerging, firstly, as a soul, latent ideality or immateriality of matter, diffusive psychic life in progress from the state of dark consciousness which reveals sensation to the unilateral empire of exacerbated feelings of itself, stigmas of disorder in the unfolding of spirit, misfit in a "systematically" organized world and able to let go of all the finite content. The first of the stages of the spirit awareness "in itself" with a hinted reality regarding the idea settles a sensitive form of absolutte ambodied in art, an immediate connection of idea and matter, beset with some kind of intimate meaning, in which the very penetration is in fact symbolically significant of the absorption of the "other" by the self-conscious spirit (apriorism of pure intuitions) but objective, the "reproductive imagination", core phase in the articulation of the psychological scope of the subjective spirit in its theoretical approach, specifies the power of the mind over images that it can recall and associate, using them as universal signs: the word internalization turns it into private image, the sign achieves the balance and durability of that which is external as well as the malleability of that which is subjective. The real experience of the Utopian starts to blur the dialectical tension between inner and outer, obstructive to the complete display of the depth of the spirit which includes both boundaries. The semic density of the object together with its sensitive immediacy ends up dissolbing the difference between the symbol representation, unveiling certain degree of the external, and the subjectivity which provides it with content. The overcoming in worship of the diastasis between "form and content", resulting from the representation system, would be followed by the ongoing deletion of the "form of representation" (Vorstellung) from the strict unity, supreme fulfilment of the spirit as absolute, without nullification of differences, rather basing on them. Representation is replaced by the "selfsame thought", a modern and thorough (evolutionary) turn towards the nóesis noéseos that may stand for the "sould out of the soul".
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