Reino Unido
This essay explores the Danish sculptor and video-installation artist EvaKoch’s interactive visual works from 2001 based on her mother’s, and her mother’s family’s, experiences during the Spanish Civil War: Villar and Villar – Los hijos de Manuela.These works are a textualization of the past through remembrance in which no attempt ismade to offer a linear account of events or play down uncomfortable sub-narratives. Theanalysis, which exposes the precarious boundaries between the personal and the collective, draws from theoretical approaches to memory and history by Marianne Hirsch,Walter Benjamin, Jay Winter and Maurice Halbwachs.
© 2001-2026 Fundación Dialnet · Todos los derechos reservados