Massimo Vidale, Stefania Berlioz, Rowaed Mohammed
In a sculpted frieze on a lintel of the so-called Temple of Allat at Hatra (second century AD), two rows of sitting camels converge towards a possible royal portrait. The two lead animals were previously interpreted as Bactrian camels. We reconsider this interpretation in light of recent information on ancient and contemporary practices of hybridisation between Camelus bactrianus and Camelus dromedarius.
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