This article aims to analyze the process of literary construction of the “monstrous” identity of Barcelona. Specifically, it examines and contextualizes the literary images of the city-as-woman from the mid-nineteenth century until Francoism. The metaphor of Barcelona as a woman is articulated around two axes: the idealization of the city as a compliant and submissive woman, and its monsterification as a rebel woman. Both processes are inextricable and serve to justify (symbolically and literally) the political control of the city
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