Asimilando la crisis socioeconómica. Estrategias artísticas en la Península Ibérica

• Autores: Susanne Grimaldi
• Localización: Estudios Culturales Hispánicos, ISSN-e 2701-8636, Nº. 1, 2020, págs. 309-324
• Idioma: español
• Enlaces
  • Texto completo (pdf)
• Resumen
  • español

    Desde 2008, la crisis socioeconómica se ha solidificado en Europa como un espacio de experiencia transcultural compartido. En Portugal, una parte de los métodos artísticos trabaja con estrategias ofensivas en texto e imagen, polifonía e intersubjetividad como un primer plano identificable de los afectados por la crisis. Además, existen estrate­gias dirigidas a deconstruir y a reemplazar las narrativas existentes de la crisis. El presente artículo tiene como objetivo extraer y relacionar el potencial narrativo de los topoi corrien­tes, los iconos, las estructuras de trama y los protagonistas de la crisis portuguesa Since 2008, the socioeconomic crisis has solidified within Europe as a shared transcultural space of experience. In Portugal, one part of the artistic methods works with offensive strategies in text and image, polyphony and intersubjectivity as an identifiable close-up of those affected by crisis. In addition, there are those strategies aimed at decon­structing and replacing existing crisis narratives. The study asks to extract and to relate the narrative potential of recurring topoi, icons, plot structures, and protagonists of the Portuguese crisis.

       

  • English

    Since 2008, the socioeconomic crisis has solidified within Europe as a shared transcultural space of experience. In Portugal, one part of the artistic methods works with offensive strategies in text and image, polyphony and intersubjectivity as an identifiable close-up of those affected by crisis. In addition, there are those strategies aimed at deconstructing and replacing existing crisis narratives. The study asks to extract and to relate the narrative potential of recurring topoi, icons, plot structures, and protagonists of the Portuguese crisis.