La musique sacralisée dans les œuvres de quelques écrivains romantiques

• Opiela, Anna ^[1]
  1. [1] Université de Varsovie
• Localización: Quêtes littéraires, ISSN-e 2657-487X, ISSN 2084-8099, Nº. 3, 2013 (Ejemplar dedicado a: Entre le sacré et le profane), ISBN 978-83-63527-46-4, págs. 66-75
• Idioma: francés
• Títulos paralelos:
  • Sacralized Music in Works of Some Romantic Writers
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• Resumen

  • This article analyses poetic visions, based on synesthesia and referring to Swedenborg’s correspondence theory, evoked by listening to music. In these visions the musical impressions are in some way sanctified and they contribute to the development of the spiritual area. This aesthetic phenomenon is noticeable in Balzac’s novels. The music for him is the light penetrating the listener’s soul and a means of accessing divine mysteries. Similarly, in George Sand’s works music is the inspiration to create soulful poetic visions and the character of Consuelo who, by her singing, is vouchsafed by divine revelations.