L’hypopeinture greuzienne et ses palimpsestes narratifs au XVIIIe siècle

• Langbour, Nadège ^[1]
  1. [1] University of Rouen

     University of Rouen

     Arrondissement de Rouen, Francia

     
• Localización: Quêtes littéraires, ISSN-e 2657-487X, ISSN 2084-8099, Nº. 5, 2015 (Ejemplar dedicado a: De l'image à l'imaginaire), ISBN 978-83-63527-79-2, págs. 23-32
• Idioma: francés
• Títulos paralelos:
  • Hypopicture of Greuze and its narrative palimpsests in the 18th century
• Enlaces
  • Texto completo
• Resumen

  • In the 18th century, the paintings of Greuze had much success. The literature took against these paintings. It transposed them in narrative texts. Diderot and Aubert, described paintings of Greuze by using the literary kind of the moral tale. Thus, they respected moral spirit of the painting of Greuze. But when paintings of Greuze were transposed in the novels, this moral spirit had been perverted : the novels respected stating of Greuze, but they used it to produce a different statement.