Hybridités de l’écriture et subversions du sujet: enjeux du simulacre autour de Pierre Klossowski

• Vaillancourt, Thibaut ^[1]
  1. [1] Chercheur indépendant
• Localización: Quêtes littéraires, ISSN-e 2657-487X, ISSN 2084-8099, Nº. 6, 2016 (Ejemplar dedicado a: Hybrides(s)), ISBN 978-83-63527-98-3, págs. 81-90
• Idioma: francés
• Títulos paralelos:
  • Hybridities of the writing and subversions of the subject: stakes of the simulacrum around Pierre Klossowski
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• Resumen

  • What can be said of Pierre Klossowski’s works’ hybridism, he who, philosopher, writer, translator and painter, unabashedly claimed to be a « monomaniac » ? This gap brings about a tension between what we call « hybridism » in his writings (to talk about this sole medium) and a coherence in his « obsessions ». Furthermore, hybridism can be inferred from the variety from which his works take their source and the qualities which the remains of the notion of « subject » inherit. Klossowski’s work, itself a non-cartesian anthropology, calls upon theologians, latin classics, as much as so-called « transgressive » philosophers. Hence hybridism, once coupled with the simulacrum, becomes a guiding thread, kindling the word’s etymology (hybris and ibrida), in an « excessive » and « bastardised » style that does away with any form of identity, be that of the writer itself.