Metge offers a new vision of women and their entity, which shifts the medieval as a result of contempt and, at the same time, is his prototypes of hatred. To this end, he portrays the most disgusting ad degrades version, which comes from the Corbaccio, followed by an exquisite gallery of women, inspired by classics. In fact, it is a moral reform, which pictured with the rejection of the misogyny and of the petrarquesque ethics towards love, which was the deformation of the agustinian and confirmed the traditional morality.
En els llibres III i IV del diàleg classicista Lo somni(1399),Bernat Metge ofereixuna nova visióde la donai la seva entitat, que desplaçala medievalitzant per fer-la objecte del menyspreuidel’odi.A tal fi, retrata la versiómés repugnantidegradada, provinentdel Corbaccio, seguida d’unagaleria exquisita de dones, inspirada alsclàssics. De fet, planteja una reforma moral, que encarna enel rebuig a la misogínia i a l’èticapetrarquescaenvers l’amor, la qualera deformacióde l’agustinianai refermava la moral tradicional.
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