Arquitetura nas Cantigas de Santa Maria de Afonso X (séc. XIII): Huelva, o Islã e o triunfo da Virgem Maria

• Autores: Bárbara Dantas
• Localización: Mirabilia/MedTrans: Mirabilia/Mediterranean and Transatlantic Approaches to the Culture of the Crown of Aragon, Nº. 1, 2020, págs. 33-50
• Idioma: portugués
• Títulos paralelos:
  • Arquitectura en las Cantigas de Santa Maríadel Alfonso X (siglo XIII): Huelva, el Islã y el triunfo de la Virgen María: Huelva, el Islã y el triunfo de la Virgen María
  • Arquitectura a les Cantigas de Santa Mariade l’Alfonso X (segle XIII): Huelva, el illa i el triomf de la Mare de Déu
  • Architecture in the Cantigas de Santa Maria by Alfonso X (13th century): Huelva, the Islam and the triumph of the Virgin Mary
• Enlaces
  • Texto completo (pdf)
• Resumen
  • English

    The Cantigas de Santa Maria by king Alfonso X is a work with three artistic expressions: music, literature and painting. There are about 420 songs with reports of miracles and praises to the Virgin written in galician-portuguese and accompanied by illuminations that represent words in images. The focus will be to demonstrate the presence of architectural forms in the text and the illumination of the Cantiga 273, the miracle report of the city of Huelva-Andalusia. The architecture as a record of the defeats and victories occurred in the battles between christians and moors during the centuries of the Reconquest of the Iberian Peninsula, as well as the pacific artistic syncretism of that time.

  • English

    The Cantigas de Santa Mariaby king Alfonso X is a work with three artistic expressions: music, literature and painting. There are about 420 songs with reports of miracles and praisesto the Virgin written in galician-portuguese and accompanied by illuminations that represent words in images. The focus will be to demonstrate the presence of architectural forms in the text and the illumination of the Cantiga 273, the miracle report of the city of Huelva-Andalusia. The architecture as a record of the defeats and victories occurred in the battles between christians and moors duringthe centuries of the Reconquest of the Iberian Peninsula, as well as the pacific artistic syncretism of that time.