Reconciling Myth with Photographic Histories in Leandro Katz’s El día que me quieras

• Autores: David Rojinsky
• Localización: Bulletin of Spanish Visual Studies, ISSN 2474-1604, ISSN-e 2474-1612, Vol. 5, Nº. 1, 2021, págs. 1-30
• Idioma: inglés
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• Resumen

  • The fiftieth anniversary of the revolutionary upheavals of 1968 led to a resurgence of interest in the work of Argentine-born visual artist and poet, Leandro Katz (b. 1938). In particular, his Proyecto para el día que me quieras, a series of mixed-media installations devoted to Che Guevara’s final Bolivian campaign in 1967, was once again the subject of major exhibitions held in Mexico City and Buenos Aires.