This article examines the dialogues and intersections between science and literature regarding Ernesto Sabato. A close reading of his scientific, science-related and literary texts and the account of the most significant facts of his career during the 1930’s, 1940’s and early 1950’s, as well as an archival review of his files in La Plata, Buenos Aires and Paris in the same period of time, reveal how his scientific and literary works are intertwined manifestations of the same talent and sensitivity, and that, in the end, all of Sabato’s writing should be considered scientific.
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