Resumen de Due nuovi sportellini di Lorenzo Monaco
This article presents two unpublished triptych laterals which are here attributed to Lorenzo Monaco at the end of his neo-Giottesque phase. The autor discusses key works from the period, before the artist's evolution towards a late Gothic idiom, when he was under the increasingly intense influence of Lorenzo Ghiberti's early work and of Gherardo Starnina's output after his Spanish sojourn in Toledo and Valencia. The panels had previously been ascribed to the circle of Mariotto di Nardo, to whom certain works are reattributed here.
