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The Art of Dying: Mira de Amescua’s La hija de Carlos V and Ximénez de Enciso’s La mayor hazaña de Carlos V

  • Autores: Christopher C. Oechler
  • Localización: Bulletin of Hispanic studies ( Liverpool. 2002 ), ISSN 1475-3839, ISSN-e 1478-3398, Vol. 96, Nº. 9, 2019, págs. 889-904
  • Idioma: inglés
  • Texto completo no disponible (Saber más ...)
  • Resumen
    • Charles V was a popular figure on the early modern stage; plays offered nostalgic glimpses of a warrior king who conquered foreign lands and stifled the spread of heresy. This article examines two plays that dramatize Charles V’s life: Mira de Amescua’s La hija de Carlos V and Ximénez de Enciso’s La mayor hazaña de Carlos V. Instead of serving audiences the normal rations of a swashbuckling Charles, these plays push aside the battles and the pageantry in order to emphasize the inner conflict that troubled the emperor during his final years. I analyse how these two plays use stage directions and performative cues to depict the emperor’s abdication and retirement to Yuste, finding that the plays engage with vanitas, the still-life visual reminders of human mortality, and the ars moriendi literary tradition in order to promote the concept of a good death.


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