Der bürgerliche Konzertkosmos: Zum Gleichklang und Wettstreit von Musikvereinen in der erstenHälfte des 19.Jahrhunderts

• Sebastian Hansen ^[1]
  1. [1] Heinrich Heine University Düsseldorf

     Heinrich Heine University Düsseldorf

     Kreisfreie Stadt Düsseldorf, Alemania

     
• Localización: Internationales Archiv für Sozialgeschichte der deutschen Literatur, ISSN 0340-4528, Vol. 45, Nº. 2, 2020, págs. 321-333
• Idioma: alemán
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• Resumen

  • Numerous music societies that were the driving forces for opening and establishing an institutionalized concert scene were founded after 1800. This essay studies the core topics these societies had to deal with while asserting themselves in a music scene that gradually became bigger and more complex. Furthermore, this essay examines the extent to which music societies competed against each other by considering the examples of Leipzig and Vienna.