Orrori e meraviglie nel teatro tragico tra Cinque e Seicento

• Autores: Ambra Carta
• Localización: Critica letteraria, ISSN 0390-0142, Nº. 163, 2014, págs. 247-263
• Idioma: italiano
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• Resumen

  • The essay esamins some religious italian tragedies – Crisanto by Hortensio Scammacca (1632), Il Pellegrino and Il Bartolomeo by Tommaso Aversa (1641) (1644) and La Reina di Scotia by Federico della Valle (1628) – written in the Age of Controriforma and Barocco, when tragic theatre, in particolar, offers to Christian propaganda a powerful instrument of moral repentance. Religious Tragedies stage the war between the Good and Evil and the final triumph of Good, through rhethorical strategies and a singular connection between immagins, words, music and theatrical machines. This kind of plays expresse the authentic meaning of Barocco religious tragedy