Ode to Christus Hypercubus: creative process of a multimodal performance

• Jônatas Manzolli ^[1]
  1. [1] University of Campinas
• Localización: ARTeFACTo 2018: Proceedings of 1st International Conference on Transdisciplinary Studies in Arts, Technology and Society / coord. por Pedro Alves da Veiga, Antonio Araújo, Adérito Fernandes Marcos, 2018, ISBN 978-989-99370-7-9, págs. 10-15
• Idioma: inglés
• Texto completo no disponible (Saber más ...)
• Resumen

  • This article presents a creative process aided by computer involving music, images and poetry. Along with resonances from walls and archs of Cathedrals and computer-generated sounds; a pianist, a soprano and a virtual choir perform an Ode to Salvador Dalí's Christus Hypercubus. A diffused acoustic field generated with music fragments invites the audience to discover and recreate meanings for the Catalan's masterpiece. Starting upon Dalí’s Mystical Manifesto, the article articulates aesthetics concepts from the 20th-century artists Salvador Dalí, Iannis Xenakis and John Cage to elucidate the compositional process of a multimodal performance.