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Il Maestro delle Effigi Domenicane, Bernardo Daddi e Puccio di Simone a Santa Marta a Montughi

  • Autores: Fabiana Carelli
  • Localización: Paragone. Parte arte, ISSN 1120-4737, Nº 152, 2020, págs. 54-72
  • Idioma: italiano
  • Texto completo no disponible (Saber más ...)
  • Resumen
    • There are still a number unresolved areas in the study of the prolific Master of the Dominician Effigies, the anonymous Florentine painter and illuminator active in the second quarter of the fourteenth century. New elements for improving our understanding of the artist's oeuvre appear in two paintings housed in the Galleria dell'Accademia in Florence, with iconography indicating their provenance from a convent of the female order of Umiliate, and specifically from Santa Marta a Montughi, founded in 1343. This hypothesis is supported by documents regarding the suppression of religious institutions effected by the Italian government in 1866, in which the two panels appear together with a polyptych (also of unknown provenance) painted by Bernardo Daddi with the assistance of Puccio di Simone.


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