Il Maestro dell'Incoronazione di Eboli, ovvero Pavanino Panormita

• Autores: Silvia De Luca
• Localización: Paragone. Parte arte, ISSN 1120-4737, Nº 152, 2020, págs. 3-41
• Idioma: italiano
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• Resumen

  • The article aims to re-examine the stylistic evolution of Pavanino Panormita (or da Palermo), the author of a triptych signed and dated 1471 in the parish church of "Santa Maria de Gulia in Castellabate", in the Cilento, and long considered a follower of the anonymous Master of the Eboli Coronation, to whom (in addition to that eponymous work) two other tryptichs have been attributed, one from the monastery of Piantanova in Salerno, and another from the church of Sant'Eustachio in Eboli. Scholarly analysis of these works shows that the whole group should be regarded as the product of a single artist, Pavanino. Despite his Sicilian origins, the painter shows that he looked above all to the work of Giovanni da Gaeta and to that of other protagonists of the 1400s in Campania such as Angiolillo Aruccio. His style combines the idioms of Paduan and Umbrian-Marchigian art with Iberian and Flemish influences, creating an amalgam that reflects the cosmopolitan cultural atmosphere that must have existed in Salerno during the fifteenth century.