The article presents a conversation between Laylah Ali and William S. Smith on figures of colors. Topics include paintings on paper from Ali's iconic "Greenheads" series appear everywhere in New York and Ali creates figures that she calls a universal quality; and Ali's paintings convey visual information to suggest perplexing, uncanny scenarios that hint at looming violence or offer glimpses of community rituals.
© 2001-2024 Fundación Dialnet · Todos los derechos reservados