Trois notes, sur trois carnets de peintres

• Georges Raillard ^[1]
  1. [1] Paris 8 University

     Paris 8 University

     París, Francia

     
• Localización: Littérature, ISSN-e 1958-5926, ISSN 0047-4800, Nº 80, 1990 (Ejemplar dedicado a: Carnets, cahiers.), págs. 3-16
• Idioma: francés
• Texto completo no disponible (Saber más ...)
• Resumen

  • Painter's Notebooks have commonly been considered as a laboratory for paintings. Miro' 's Notebooks still have such a function. And, as Picasso's and Groborne's Notebooks that we examine here, they contain « modern » research too in which we consider three main aspects : series, illisibility , « rébus ». Notebooks are at the same time « opera » and « opus ». Still strong ideological interpretors are menacing them, willing to find in them the « secret » explanation of the paintings, and to deduct the visible from the readable.