What do the formal constraints of the serial novel represent in Perec's overt autobiographical work ? Critical observation shows a binary structure, hiding a tripartite one, which in turn calls for a fourth, whose presence-absence is read back as the paradigmatic omission-and key-to Perec's work. But the form's import is also the experiential mystery its blanks and breaks achieve.
© 2001-2024 Fundación Dialnet · Todos los derechos reservados