The graphic analysis in absentia, moving between thought and work, tries to track down, through digital surveys, a consistent path of design process. For many years now, the digital has changed the communication architecture processes that have always been areas of critics and representation. Architecture, indeed, can be told with texts, and new and unreleased representations wandering the sites of fruitful interaction between theoretical production and digital processing. The purpose of this study is to tell two projects, through unpublished images, about a little-known Ridolfi, through the close relationship between history, drawing and project.
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