L’arte del crimine tra liminale e liminoide. Il caso di Making a Murderer

• Autores: Oriana Binik
• Localización: Comunicazioni sociali, ISSN 0392-8667, Vol. 39, Nº. 2, 2017 (Ejemplar dedicado a: Media, Creative Industries and Crisis in Italy. Cycles and Anticycles between Society and Communication), págs. 289-302
• Idioma: italiano
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• Resumen

  • True crime, at the crossroads of narrative, documentary and art, is crime fact that looks like crime fiction. Through the case study of Making a Murderer (2015), the intent of this paper is to provide a theoretical framework for this genre, considering it as a vehicle for social transformation. More precisely, by adopting the perspective of Victor Turner, its goal is to focus attention on the delicate intersection of two levels: the sacred and official legal procedure (the liminal) and the critical, artistic and parallel interests of the true crime (the liminoid).