Beautiful Money; or, What Can Contemporary Art Teach Us about the Neoliberal Economy?
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Pedro Erber [1]
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[1] Cornell University
Cornell University
City of Ithaca, Estados Unidos
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- Localización: Revista hispánica moderna, ISSN 0034-9593, Vol. 72, Nº 2, 2019 (Ejemplar dedicado a: Global Art and Latin America), págs. 149-159
- Idioma: inglés
- Texto completo no disponible (Saber más ...)
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Resumen
In recent years, numerous scholars have called attention to the growing presence of economic rationality in every sphere of contemporary life—including those aspects of human existence portrayed by classical liberal thought as inherently removed from the realm of economic interests. In the realm of contemporary art, which is often described as an exemplary case, it is said that market expertise has replaced critical, aesthetic judgment. However, what if this mode of market expertise and, more broadly, neoliberal reason as such have more in common with aesthetic judgment than one might usually imagine? In reference to the work of visual artists such as Cildo Meireles and novelists ranging from Machado de Assis to Ricardo Lísias, and drawing upon a wide range of theoretical perspectives on contemporary cultural and economic theory, this paper investigates the aesthetic underpinnings of contemporary capitalism.
