The anonymous miniaturist knows as the Master of the "Liber celestium revelationum" was active in Naples during the 1370s a 1380s; his name derives from the codices he illuminated of Saint Bridget of Sweden's "Revelations". The article notes his relationship with the slightly earlier work of the Master of the Avignon "Crucifixion", who thus appears to have played a role in his initial career. The author attributes to the same miniaturist a part of the decoration of MS 9 of the Biblioteca del Seminario in Como, with the "Canones Apostolorum", and shows that the importance of the Master of the "Liber celestium revelationum" in the Neapolitan artistic milieu is also indirectly confirmed by manuscript decorated a little later by artists who were still tied to his figurative language.
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