La iglesia del desaparecido Convento de San Agustín de Ciudad de México, se convirtió en un claro exponente de las relaciones culturales establecidas entre la Península Ibérica y América durante la Edad Moderna, ya que entre sus muros se custodiaban pinturas vinculadas al Viejo Continente por diversos motivos, como comprobaremos en este breve estudio, señalando la importancia que éstas tuvieron en la concepción de la plástica virreinal novohispana.
The church of the extinct convent of San Agustín in Mexico City, became a clear example of the cultural relations established between the Iberian Peninsula and America during the Modern Age, due to the fact that its walls were guarded with paintings from the Old Continent for different reasons, as we will verify in this brief study, for to point out the importance that these had in the conception of the colonial painting of New Spain.
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