This essays aims at tracing a meaningful interpretative path within the complex and sometimes almost indecipherable poem Les États généraux, written by Breton in 1944. Following the track signalled by the phrase de reveil dividing the poetic text into six parts, but also analysing the single sequences, we can discover the structural role of the time in the organization of the text. Moving between past, present and future, each sequence suggests, in different forms and images and using different experiences of the reality and different ways of overcoming its limitations, the effort to renew the knowledge of the world and the conception of the existence of the subject through the transformation of poetry.
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