Resumen de Los dientes de Raquel de Gabriel Jiménez Emán: Un abismo en miniatura
- español
El presente artículo se plantea como objetivo, comprender los rasgos de la escritura minificcional de Gabriel Jiménez Emán a partir de su obra Los dientes de Raquel, cuyos rasgos son esbozados en tres dimensiones: a) el papel que juega, en la arquitectura del texto, el inicio como pieza fundamental en la economía lingüística y en la concisión discursiva, b) la importancia del final como efecto paralizante, golpe del ingenio creador y posibilidad de múltiples significados; y c) el empleo del suspenso y lo fantástico como recurso fundamental en la construcción de atmósferas absurdas, irónicas, paródicas, onírica y misteriosas. A partir de una comprensión hermenéutica, se plantea no solo la aproximación a las estrategias narrativas de Jiménez Emán, sino que el examen de los rasgos constitutivos de la minificción como género emergente, permite advertir el carácter de ruptura, fragmentariedad, juego, velocidad, multiplicidad y simultaneidad que convierten al universo minificcional en un abismo en miniatura.AbstractThis article aims at understanding the features of Gabriel Jimenez Eman’s minifictional writing from his work Los dientes de Raquel, which are outlined in three dimensions: a) the role played in the architecture of the text, by the starting as a cornerstone in linguistic economy, and discursive concision; b) the importance of the final as paralyzing effect, stroke of the creative genius and the possibility of multiple meanings; and c) the use of suspense and fantasy as fundamental resources in the construction of absurd, ironic, parodic, dreamlike and mysterious atmospheres. From a hermeneutic understanding, it is presented not only the approach to Jimenez Eman’s narrative strategies, but also the examination of the minifiction constituent elements as emerging genre, allowing to observe the character of rupture, fragmentation, game, speed, multiplicity and simultaneity that make the minificcional universe a miniature abyss.
- English
This article aims at understanding the features of Gabriel Jimenez Eman’s minifictional writing from his work Los dientes de Raquel, which are outlined in three dimensions: a) the role played in the architecture of the text, by the starting as a cornerstone in linguistic economy, and discursive concision; b) the importance of the final as paralyzing effect, stroke of the creative genius and the possibility of multiple meanings; and c) the use of suspense and fantasy as fundamental resources in the construction of absurd, ironic, parodic, dreamlike and mysterious atmospheres. From a hermeneutic understanding, it is presented not only the approach to Jimenez Eman’s narrative strategies, but also the examination of the minifiction constituent elements as emerging genre, allowing to observe the character of rupture, fragmentation, game, speed, multiplicity and simultaneity that make the minificcional universe a miniature abyss.
