Una investigación teatral y fílmica sobre el trabajo: Algunas obras de Gerardo Naumann
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Sandra Contreras [1]
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[1] Universidad Nacional de Rosario
Universidad Nacional de Rosario
Argentina
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- Localización: A Contracorriente: Revista de Historia Social y Literatura en América Latina, ISSN-e 1548-7083, Vol. 16, Nº. 3, 2019 (Ejemplar dedicado a: Spring 2019), págs. 206-220
- Idioma: español
- Enlaces
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Resumen
This paper is a reading of Gerardo Naumann’s plays and films shown as a theatrical and performative investigation into the world of labor (his plays Los trabajos improductivos andFábrica,and his films El trabajo industrial and Ricardo Bar). Our approach is based on three hypotheses: 1) Naumann's nonproductive labors (stealing, acting) explore and exhibit virtuosity—i.e. the articulation between memory, repetition and the use of words--as a field of experimentation; 2) by displacing performers from their social location (their status of workers, indistrial or nonproductive workers), Nauman’s theatrical experimentation with the worker-performers’ voices is both a political experimentation as well as an inquiry into new forms of community and subjectivation; 3) Naumann's vital involvement in his own performances playing a worker establishes a frame of reference so that the exploration of the world of labor becomes the (ambivalent) register of the “bargaining” position of artists with non-actors, nonproductive workers, and worker actors
