Dissertação sobre a ideia de italianidade no romance policial português contemporâneo, analisando criticamente os romances "O Bom Inverno" e "O Último comboio para Roma, de João Tordo e Margarida Utne respectivamente.
How is Italy represented in contemporary Portuguese crime fiction? In João Tordo’s O Bom Inverno (2010) and Margarida Utne’s O último comboio para Roma (1998) we find a few answers to this question, as the two novels approach Italian identity quite differently, despite falling both into the most common socio-cultural stereotypes on the topic.
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