Música e singularização. Uma reflexão prodromal sobre o problema da escuta em música

• Mário Santiago de Carvalho ^[1]
  1. [1] Universidade de Coimbra

     Universidade de Coimbra

     Coimbra (Sé Nova), Portugal

     
• Localización: Revista portuguesa de filosofía, ISSN 0870-5283, Vol. 74, Fasc. 4, 2018 (Ejemplar dedicado a: Filosofia da música), págs. 935-956
• Idioma: portugués
• Texto completo no disponible (Saber más ...)
• Resumen

  • Is it possible for a philosophy of music to offer a point of departure to pure philosophy? Defending the exclusively human character of the music, the paper aims at giving a positive answer to this question. Since it is not the same to propose a philosophy (of music) taking the “evidence” or the “audience” (being this neologism a correlate for “evidence”) as its basis, it is claimed that one must equate listening, interpretation, uniqueness and creation. Mostly in a critical dialogue with recent practitioners of a secondary philosophy of music (R. Scruton, G. Graham, A. Hamilton), the paper puts forward a new key to the equation proposed.