Racial Tragedy, Australian History, and the New Australian Cinema: Fred Schepisi’s The Chant of Jimmie Blacksmith Revisited

• Autores: Robert Cardullo
• Localización: Filmhistoria online, ISSN-e 2014-668X, Vol. 28, Nº. 1-2, 2018, págs. 65-73
• Idioma: inglés
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• Resumen

  • The Chant of Jimmie Blacksmith (1978) broke ground in its native country fordealing bluntly with one of the most tragic aspects of Australian history: the racisttreatment of the aboriginal population. Adapted faithfully from the 1972 novel byThomas Keneally, the film concerns a young man of mixed race in turn-of-the-century Australia who feels torn between the values and aspirations of white society, on the one hand, and his aboriginal roots, on the other, and who ultimately takes to violence against his perceived white oppressors. This essay re-views The Chant of Jimmie Blacksmith from the following angles: its historical context; its place in the New Australian Cinema; its graphic violence; and the subsequent careers of the film’s director, Fred Schepisi, and its star, Tommy Lewis.