The article focuses on the Swedish artist Öyvind Fahlström. The article discusses his early interest in languages, his creation of the first concrete poetry manifesto that was discovered after his death, later titled "Manifesto for Concrete Poetry" and his concept of proposed relationships between visual and verbal signs, called "signifiguration." The article states that Fahlström's later work dealt with political systems, world economics and the exploitation of the Third World.
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