The article focuses on work of solo recording artist Dean Blunt and cites his exhibition "Brixton 28s" in London, England where a wall drawing mis-spelled the brand logo of the Italian Fashion house "MOSCHION." It presents views of art critic Jan Verwoert on Blunt's painting which he describes as a reflection of sustained symbolic and monetary primacy over other mediums.
© 2001-2024 Fundación Dialnet · Todos los derechos reservados