El presente artículo desea plantear la atribución a favor del escultor genovés Agostino Storace, discípulo de Anton Maria Maragliano, del excelente grupo escultórico de la Aparición del Niño Jesús a San Antonio de Padua que se conserva en la iglesia de San Andrés de Valladolid, el cual desde hace unas décadas se viene atribuyendo a uno de los maestros cortesanos más importantes de la segunda mitad del siglo XVIII, Juan Pasc u al de Mena .
his article aims to propose an attribution to the Genoese sculptor Agostino Storace, disciple of Anton Maria Maragliano.
A gostino Storace would be the author of the superb sculptural group of the Apparition of the Child Jesus to St Anthony of Padua preserved in the church of San And rés in Valladolid. Such attribution has nothing to do with what was considered for decades, when the sculptural group was thought to have been made by Juan Pascual de Mena, one of the most important sculptors working at the court in the second half of the 18 th century.
Keywords:
Agostino Storace; Anton Maria Maragliano; Baroque sculpt
© 2001-2024 Fundación Dialnet · Todos los derechos reservados