Resumen de Due dogmi dell'avanguardia. Parole e oggetti nell'opera di Corrado Costa
Two Dogmas of the Avant-garde: Words and Objects in Corrado Costa’s Works · On the margins of the 'Gruppo 63', Corrado Costa’s poetic production acquired great importance after the end of that experience, when Costa became the Italian reference model of experimental poetry, bringing into question, even overcoming the two almost dogmatic principles of any vanguard experience in Italy : montage techniques (from collage to cut-up), and the anti-referential principle, the idea that words and objects, language and the world are unconnected. Vanguard poetry must always conceive itself as linguistic sabotage in a key of extreme criticism. In Costa’s renewal the language of poetry, in a fully speculative sense, must become a meta-language investigating its own nature on the trail of Willard Quine’s analytical philosophy.
