A reprint of the article "Post-Feminism" published in the February-March 1987 issue is presented. It discusses the American tendency to treat politics as work and art as leisure during the 1970s and early 1980s, the art movement that followed the experimental period of 1965 to 1975 which incorporated a feminist orientation, and how the decorative artists of the late 1970s explored domestic feminism that reassert the art-object's materiality as well as traditional standards of beauty
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