The opening phrase of the Aeneid anticipates a pattern of relationship in the poem between outside and inside. Epic arms look outward to the gods, fate and society, inward to the man himself, his unique history, his inner life. At the same time alien and complementary to the warrior, arms elude his full control, with an uncanny power that frustrates intention. Analysis of five interrelated passages suggests that arms in the Aeneid are the leading edge of external forces that continually impinge upon the man’s inner will and purposes.
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