The article reports on the works of painter Katherine Bowling. Emergence, dislocation and reconnection are the prevailing themes in Katherine Bowling's works. Most of his luminous oil-on-spackle-on-wood paintings produced between 2001 and 2004, depict unpopulated views of nature, segmented or bordered by rural highways and paths. Unflamboyant in their paint handling, generally modest in scale and interiorized with a mood of self-sufficiency, Bowling's compositions confidently make viability as an art form born of tradition but not hampered by it.
© 2001-2024 Fundación Dialnet · Todos los derechos reservados