General Franco’s censorship apparatus was quick to pounce on the intellectual dissent in the essays written by Maria Aurèlia Capmany from 1968 to 1978. Based on censorship records, this article analyses the ideological way that those in charge of issuing the reports read her essays. The essays that suffered the most in the hands of the censors were La joventut és una nova classe? (1969), Pedra de toc (1970), El feminismo ibérico (1970) and El feminisme a Catalunya (1973).
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