Cine israelí: conflictos de vecindad y crisis de identidad

• Autores: Tzvi Tal
• Localización: Archivos de la filmoteca: revista de estudios históricos sobre la imagen, ISSN 0214-6606, Nº 44, 2003, págs. 54-77
• Idioma: español
• Títulos paralelos:
  • Israeli Cinema: Vicinity Conflicts and Identity Crisis
• Enlaces
  • Texto Completo Ejemplar
• Dialnet Métricas: 1 Cita
• Resumen

  • The first films to be made in Israel coincided with the invention of Lumière cameras at the outset of the twentieth century. Ever since that time, Israeli film-production has been conditioned by the various groups which have provided the industry with funding, namely Zionist organizations existing prior to the foundation of the State of Israel, different government administrations and nowadays, even privately-owned television stations. This link between Israeli cinema and official organizations helped to create a distinctive model known as sabra in which Jews of different origins were to be recognized. The crisis of this model, together with the representation of others (Arabs, Palestinians, holocaust survivors, Eastern Jews, women and homosexuals) paved the way to the initiation of dialogue among different groups. Nevertheless, with the second Intifada in 2000 and the victory of conservatism, the so- called Masada syndrome has been reinforced, denying any possibility of mutual acknowledgement among the neighboring peoples.