The present article deals with the relation between the cinema of Luchino Visconti, especially in three works, Morte a Venezia (1971), The Damned (1969) and Ludwig (1973) and the costume as one of the constitutive elements of his narrative and his cinematography, as well as an interface between fashion and memory and analysis of the collections created by designer labels Chanel e Miu Miu as of movies.
O presente artigo trata da análise e da relação entre o cinema de Luchino Visconti – especificamente em três obras: Morte em Veneza (1971), Os deuses malditos (1969) e Ludwig, a paixão de um rei (1973) – e promove a releitura do figurino enquanto elemento narrativo e constitutivo da filmografia do cineasta, a interface com a moda e a memória e a análise das coleções criadas pelas grifes Chanel (2009/2010) e Miu Miu (2016) a partir dos filmes.
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