Zurbarán's "Cartellini": Presence and the "Paragone"

• Steven F. Ostrow ^[1]
  1. [1] University of Minnesota

     University of Minnesota

     City of Minneapolis, Estados Unidos

     
• Localización: Art bulletin, ISSN 0004-3079, Vol. 99, Nº 1, 2017, págs. 67-96
• Idioma: inglés
• Texto completo no disponible (Saber más ...)
• Resumen

  • The "cartellino"—a small trompe l'oeil slip of paper bearing the artist's signature—is examined in early modern Spanish painting, focusing on the works of Francisco de Zurbarán and the ways he exploited the device metapictorially. In his hands, it inserted his presence in works from his brush and commented on the art of painting, articulating his position on the "para­gone", the much-debated comparison between painting and sculpture, which he demonstrated most vividly in his images of the Holy Face, works in which Veronica's veil, a variation of the "cartellino", is presented for our meditation.